Writing can have its downside. At some stage, many of us have probably suffered from lower back pain, aching shoulders, sore eyes or headaches. And then there’s something called writers bottom! Spending much of the day tapping away on the keyboard can even lead to serious conditions such as repetitive strain injury and carpal tunnel syndrome. We all know how important it is to have a decent chair at the correct height, but how many of us end up huddled over to stare at the screen? My husband is constantly moaning at me for doing so. I can only hope that five hours of yoga, tai chi and Pilates, plus a similar amount of time line dancing and Zumba each week make up for my slovenly posture at my desk. Knowing the theory is one thing, it’s the putting into practice that can easily fall by the wayside. Continue reading
Writing is like a drug. You may start with the odd story or poem, but you can soon find yourself wanting to do more. Before you know where you are, you’re on the hard stuff – the novel and there’s no hope after that. One thing leads to another. The pushers (agents and pundits) tempt you to write more books on the premise that the more novels to your name, the easier it is to market them or (your readers)that they can’t wait to read the next one. By then, you’re hooked. Unless, you’re writing, there’s a massive hole that needs constant feeding with ideas. Be warned! There’s no Writers’ Anonymous to help wean you off it.
There’s even a word for it. Hypergraphia. It is defined on Wikipedia as a behavioural condition characterised by the intense desire to write. Continue reading
I’d written short stories for some time with moderate success before deciding to tackle a novel. At the time, some fifteen years ago, I happened to be reading a great many novels by writers such as Nicci French, Minette Walters and Barbara Vine. I loved the edginess of their writing, the idea of the main character finding her life spinning out of control – taken over by events she can’t explain, and if she doesn’t sort it all out, she will end up dead. What interested me was trying to capture the fear, that unease, the tension of wondering what is going to go wrong next? Thus, All in the Mind and Watcher in the Shadows became my first published novels. I was having problems writing the latest psychological suspense and it was my then agent who suggested that I should think of having a series character. Her argument was that it would be easier to sell them to the publishers, but that wasn’t the reason I decided to give it a try.
I’d had the idea of a tour manager for a coach company as a main character for some time. In the spirit of the Golden Age whodunit tradition, it would give me a limited number of people as suspects – my coach passengers, a driver who would be my protagonist’s confidant and partner plus the added advantage that each book would be set in a different country and have a limited time scale – the length of the holiday. Not that things turned out quite like that. Novels and characters take on a life of their own! The agent’s prompting came just at the right time and so the Fiona Mason Mysteries were born.
As a writer, the main advantage is that for each new novel you have a readymade protagonist plus two or three other significant characters and, in my case, a fully drawn template – a coach trip and the ongoing love/hate relationship of my two main characters (another thing that was never planned but just happened). Continue reading
First and foremost, I wish you all a happy and productive New Year.
Towards the end of the year, I was approached by David Ellis and asked if I would agree to be interviewed for his toofulltowrite website subtitled as a Creative Palace for Artists and Author Resources. David asked some interesting questions that had me scratching my head at times and here is the result.
Welcome to the latest installment in the Author Interview series and we are finishing out the week with a bang.
Tonight we speak to Award Winning author Judith Cranswick about her crime thriller novels and what makes them so special, engaging and worth reading.
Hi there Judith, thank you for taking the time to be with us today to talk about your thrilling stories.
Let’s start with your latest novel “Blood Hits the Wall” – Book 4 in the Fiona Mason Mysteries Series. Please tell us more about Fiona, how she has evolved over the course of four novels and what sleuthing adventures and sticky situations she is going to find herself dealing with this time round?
In the first book in the series, “Blood on the Bulb Fields”, Fiona was recently widowed. She had spent the last nine years looking after her terminally-ill husband. When he died, family and friends suggested she get herself a little job to keep herself occupied though becoming a tour manager for a coach company wasn’t quite what they had in mind. Fiona has grown in confidence as the year (and the first four books) has gone on and in “Blood Hits the Wall”, on her tour to Belin and the Elbe Valley, her relationship with MI6 chief, Peter Montgomery-Jones develops though they continue to find themselves at odds with one another all too often as they pursue their separate objectives. This time she wants his help when the group is detained in Berlin following the murder of their local guide, but he has his own secret mission which he cannot jeopardise. Continue reading
Every writer knows the value of feedback. It’s one of the reasons why they join writing groups. Some groups are more helpful than others. Giving constructive feedback is a skill and, just like writing, needs practice, but so too does receiving it. Egos can get in the way.
Writing magazines and blogs are full of helpful advice for how to deal with the problems we writers sometimes have to face – dealing with writer’s block, “soggy” middles, constant interruptions and even finding the time to write. I’ve even read articles about finding your best time of day to write – as if most of us could choose when we sit in front of our computer screens or pick up a pen – or the best place to write. One thing I’ve never seen written about, but something I frequently struggle with, is when life gets in the way.
One of the great advantages of eBook publishing is that even a first time novelist can now access a global market without difficulty. EBooks are just as easy to download in America, Canada and Australia as they are here in Britain. However, this has definite consequences which we writers need to bear in mind. Oscar Wilde, George Bernard Shaw and Winston Churchill have all commented on the confusion that arises in the differences in our use of language on either side of the Atlantic.
We fiction writers are sensitive people – we live on our emotions. We create characters and, if we want to make them to be real for our readers, we see the world through their eyes. We put our protagonist through all kinds of misery. One problem after another. If we didn’t there would be no story. The more we experience our character’s pain, the better the writing will be. We train ourselves to feel the grief, the despair, the anguish. Is it any wonder that we fall victim to a certain level of despondency when life hands us a bad deal? Life is never fair. I like to claim that I’m a glass half full person, trying to see the best side and count my many blessings, but there are times when I don’t succeed.
Writing a novel is a totally engrossing occupation. For the last year, ‘Blood Hits the Wall’ has been my obsession. As we writers know, writing is far more than sitting at the PC and getting the words up on the screen. It becomes something that occupies the greater part of your day. The characters and the scenes constantly play out in your mind even when you are busy doing something else entirely.
Rewriting is a lengthy process. Once the first draft is complete and the numerous rewrites analysing plot, characters and pace have begun, your head starts spinning as you rework sections in your mind. You reach a point when you’re not sure if that great extra clue or nuance is still in your head or if you have already altered the manuscript itself. Whole scenes get moved around to provide a more logical unfolding of the story line. This means a careful check that it does not result in references to events that haven’t happened yet because you’ve moved them later.
Novel writing has always evolved. I’m not talking about changes in fashion – the prevalence of Science Fiction in the 1960s, the rise of the Fantasy Novel, the misery memoirs, the Vampire novel and the Dystopian novel. Each decade popular fiction embraces a new genre. My belief is that today’s writers are adapting their writing style to ensure that their novels meet the changing requirements of the eBook. For many novelists, especially indie writers, eBook sales far outweigh physical book sales and an increasing number of novels are only ever published in eBook form. Writers cannot afford to ignore the demands of the eBook. Continue reading